Photogrammetry is what happens when you stop thinking about drone footage as video and start thinking about it as structured spatial data. I fly overlapping image sequences around a subject - a building, a site, a ruin - and process those images into accurate 3D point clouds and mesh models that architects, historians, and developers can actually use.
This is where my background in data analytics becomes relevant. I don't just hand you a file and disappear. I interpret the output. I tell you what the model is showing, where the anomalies are, and what the data means for your project. Raw data without context is just noise - I learned that after a decade of building reporting dashboards. The same rule applies at 400 feet.
| OUTPUT FORMATS | OBJ PLY LAS / LAZ GeoTIFF PDF Report |
| CAPTURE PLATFORM | DJI Mini 5 Pro — Nadir & Oblique Flight Patterns |
| PROCESSING | Remote - DaVinci Resolve Studio · Photogrammetry Pipeline in Metashape |
| DELIVERY METHOD | Secure Cloud Transfer · Annotated Report Included |
| BEST FOR | Historic Buildings Site Documentation Construction Progress Archaeological Survey |
| TURNAROUND | 5–10 Business Days (Project Dependent) |
A colonial plaza in Bogotá at golden hour. The Adriatic coastline from 300 feet. A mountain pass in the Balkans at dawn. These aren't just pretty shots - they're establishing context for stories that need to be told from above.
I shoot cinematic aerial footage for travel documentaries, brand reels, and location-based content. The DJI Mini 5 Pro is compact enough to move through borders without bureaucratic headaches, and capable enough to produce professional 4K footage that holds up in post. The timezone changes. The quality doesn't.
I also shoot with the Insta360 Ace Pro 2 and/or the Lumix S9 (Full Frame DSLR) for ground-level and POV coverage, giving you a complete visual package - aerial establishing shots paired with immersive ground footage - without needing a second crew.
| RESOLUTION | 4K / 60fps · Log Color Profile for Post Flexibility |
| CAPTURE GEAR | DJI Mini 5 Pro (Aerial) · Insta360 Ace Pro 2 / Lumix S9 (Ground) |
| EDIT PLATFORM | DaVinci Resolve Studio |
| DELIVERABLES | Raw Footage Color-Graded Cut B-Roll Package Short-Form Edit |
| BEST FOR | Travel Brands Documentary Projects Tourism Boards Real Estate Reels YouTube Creators |
| LOCATIONS | The Balkans Circuit · Europe · Expanding |
| TURNAROUND | 3–7 Business Days for Edited Delivery |
Here's the thing most drone operators won't tell you: the flight itself is the easy part. What takes time — and what most clients actually need — is the processing, interpretation, and delivery of the data after the drone lands.
That work doesn't require me to be in your city. It requires a solid uplink, the right software, and someone who knows how to read what the data is saying. I've been doing that kind of work — remotely — for over a decade. The drone is just a new sensor on the same analytical pipeline.
Right now I'm based in Bogotá, Colombia. In April 2026 I'm moving to Tirana, Albania — then through the Balkans circuit toward Spain. Every city I land in becomes a new operational base. Every building I fly over is a potential dataset. The work travels with me because the work was always in the data, not the geography.